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The 100 Greatest Singer-Songwriter Albums of All Time

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Even though this list tries to be definitive, there can’t truly be a “greatest singer-songwriter album.” The genre itself resists that kind of certainty. What matters in singer-songwriter music is not consensus, but connection: the feeling that a song was written to reach someone, even to reach you specifically. That’s the connection we wanted to capture with this list.

We approached that idea from multiple directions at once. We asked a group of artists and writers to each submit a small set of albums that influenced them and their songwriting. It wasn’t always about the “best” records, but the ones that stayed with them. The albums that changed their perspective, or simply refused to leave their lives once they arrived. You can see the lists and commentary of every artist here
It wasn't just artists though, we wanted to hear from you, the readers. We asked our readers for their top 3 singer-songwriter albums, as the people too are important in deciding this list. The genre has always been about the people, so there's no way to make this without them.

From those submissions, a larger picture slowly emerged. Some choices were expected, others deeply personal, and many existed in tension with one another. That tension is the point. A singer-songwriter list is never final; it’s a book written across decades, borders, and languages. This list is not an attempt to close that book, but to read it as clearly as possible.

What follows is a hundred albums that, together, show a shared language: the language of the singer-songwriter.

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The Mysterious Production of Eggs

The Mysterious Production of Eggs

Andrew Bird

100

White Light

White Light

Gene Clark

99

Walkin' My Cat Named Dog

Walkin' My Cat Named Dog

Norma Tanega

98

Fairytale

Fairytale

Donovan

97

Count Bateman

Count Bateman

Frog

96

Emitt Rhodes

Emitt Rhodes

Emitt Rhodes

95

Once I Was an Eagle

Once I Was an Eagle

Laura Marling

94

I, Jonathan

I, Jonathan

Jonathan Richman

93

Cold Fact

Cold Fact

Rodriguez

92

Old No. 1

Old No. 1

Guy Clark

91

Heart Food

Heart Food

Judee Sill

90

"Judee Sill is getting some much deserved attention right now (though I haven't watched the new doc yet), and this record is an example of some of her crystalline songwriting. The arrangements are always there to real you in, but always letting the lyrics take the spotlight." - Abbey Blackwell

Here Comes Rhyming Simon

Here Comes Rhyming Simon

Paul Simon

89

"A master songwriter, but then all of these are. As with the other records here I could equally have selected several other of his albums. This one makes the cut because it has the incredible ‘American Tune’ with a lyric that has embedded itself into my mind: “And I dreamed I was dying / I dreamed that my soul rose unexpectedly / And looking back down at me / Smiled reassuringly.”" - Ian Paul Sharp

De todas las flores

De todas las flores

Natalia Lafourcade

88

Soviet Kitsch

Soviet Kitsch

Regina Spektor

87

Diamonds & Rust

Diamonds & Rust

Joan Baez

86

Just Another Diamond Day

Just Another Diamond Day

Vashti Bunyan

85

27 Demos

27 Demos

Margo Guryan

84

Favorite of: Rachel Love

Hi, How Are You: The Unfinished Album

Hi, How Are You: The Unfinished Album

Daniel Johnston

83

In My Own Time

In My Own Time

Karen Dalton

82

I Got A Name

I Got A Name

Jim Croce

81

Album III

Album III

Loudon Wainwright III

80

The Milk-eyed Mender

The Milk-eyed Mender

Joanna Newsom

79

Paul Simon

Paul Simon

Paul Simon

78

Transa

Transa

Caetano Veloso

77

Warren Zevon

Warren Zevon

Warren Zevon

76

Tim Hardin 1

Tim Hardin 1

Tim Hardin

75

Moon Pix

Moon Pix

Cat Power

74

Construcao

Construcao

Chico Buarque

73

Parallelograms

Parallelograms

Linda Perhacs

72

"One of my favorite albums of all time. I love this album because it takes you to so many different places. Sometimes stripped down, sometimes downright trippy, she is not trying to fit into some traditional mold. It's new and exciting every time I listen to it. Every time I drive through Chimacum on the Washington peninsula I put it on, and it pairs so perfectly." - Abbey Blackwell

Gilberto Gil

Gilberto Gil

Gilberto Gil

71

Tracy Chapman

Tracy Chapman

Tracy Chapman

70

Car Wheels on a Gravel Road

Car Wheels on a Gravel Road

Lucinda Williams

69

"A monumental statement for a peerless artist. Cyclical family trauma. Survivor’s remorse. Complicated love. Lucinda tackles subjects other artists wouldn’t dare touch with the lyrical economy of a Farside cartoon. I don’t think I’ve ever heard a song tackle the shared disappointment of a relationship falling apart like these lines from “Metal Firecracker”: 

All I Ask 

Is don’t tell anybody the secrets

I told you 
" - Pat King (of Labrador)

O

O

Damien Rice

68

"Mad Honesty, fragile depth, intense mundane love, 100% human." - Lau Noah

Sometimes I Wish We Were an Eagle

Sometimes I Wish We Were an Eagle

Bill Callahan

67

Our Mother In The Mountain

Our Mother In The Mountain

Townes Van Zandt

66

Punisher

Punisher

Phoebe Bridgers

65

On The Beach

On The Beach

Neil Young

64

Colour Green

Colour Green

Sibylle Baier

63

Five Leaves Left

Five Leaves Left

Nick Drake

62

Bone Machine

Bone Machine

Tom Waits

61

U.F.O.

U.F.O.

Jim Sullivan

60

Songs From Suicide Bridge

Songs From Suicide Bridge

David Kauffman & Eric Caboor

59

Late for the Sky

Late for the Sky

Jackson Browne

58

Eli and the Thirteenth Confession

Eli and the Thirteenth Confession

Laura Nyro

57

Darkness on the Edge of Town

Darkness on the Edge of Town

Bruce Springsteen

56

Titanic Rising

Titanic Rising

Weyes Blood

55

Jackson C. Frank

Jackson C. Frank

Jackson C. Frank

54

Closing Time

Closing Time

Tom Waits

53

"A perfect movie. The pace, the surrender into the darkness of life, saved time and time again by his ability to create light out of nowhere. A masterpiece." - Lau Noah

" It’s a live album. Perfect storytelling. A perfect drinking companion. Elegant and lonely." - Orange Animal

No Other

No Other

Gene Clark

52

"This is an album that continues to fascinate me every time I put it on. A sober psychedelic experience filled with equal parts wisdom and poetry. The instrumentation is volcanic in its presentation with Gene’s voice and perspective chiseling its way into your soul. I’ve yet to hear a record that comes close to matching this record’s balance of country, gospel, and cosmic funk. It’s the direction that alt-country should have taken instead of the near-constant Gram Parsons clones of the last 50 or so years. " - Pat King (of Labrador)

Bryter Layter

Bryter Layter

Nick Drake

51

Desire

Desire

Bob Dylan

50

Scott 4

Scott 4

Scott Engel

49

Happy/Sad

Happy/Sad

Tim Buckley

48

Figure 8

Figure 8

Elliott Smith

47

Solid Air

Solid Air

John Martyn

46

Rickie Lee Jones

Rickie Lee Jones

Rickie Lee Jones

45

Sail Away

Sail Away

Randy Newman

44

The Hissing of Summer Lawns

The Hissing of Summer Lawns

Joni Mitchell

43

After The Goldrush

After The Goldrush

Neil Young

42

"After The Gold Rush is Neil young free from expectations. If Harvest is him at his most Laurel Canyon folk-country and Everybody Know This is Nowhere is him writing the Crazy Horse handbook, this record is Neil at his most skeletal and personal. He would become more cynical—listen to On The Beach—but no other album gives you a picture of Shakey at his most bright eyed and threadbare. " - Pat King (of Labrador)

XO

XO

Elliott Smith

41

John Prine

John Prine

John Prine

40

"No other album in my lifetime has been as important as this album. Furthermore, no other album has spoken to the cancerous qualities the American dream had had on its citizens. Who knew a 24 year old postman from Illinois could predict the cyclical rage of the working class seeing their sons die in pointless wars, succumb to addiction as a coping mechanism, their small town pride diminished by capitalist greed, or the elderly get left behind amidst a world that is moving too fast? There is no wasted breath on this record and time has rightfully placed him where he belongs: next to giants of the craft such as Bob Dylan, Hank Williams, and Kurt Vonnegut Jr. " - Pat King (of Labrador)

Songs of Love and Hate

Songs of Love and Hate

Leonard Cohen

39

Illinois

Illinois

Sufjan Stevens

38

Françoise Hardy (Tous Les Garçons Et Les Filles)

Françoise Hardy (Tous Les Garçons Et Les Filles)

Françoise Hardy

37

Court and Spark

Court and Spark

Joni Mitchell

36

Moondance

Moondance

Van Morrison

35

Tea For the Tillerman

Tea For the Tillerman

Cat Stevens

34

"This is such a classic and I have heard this album soooo many times. From the opening track of "Where Do The Children Play?" which become more relevant by the day, through "Hard-Headed Woman" and "Sad Lisa" which both sound and feel so real every time I hear it, to "Father And Son" which strikes a chord whether you are a parent or a kid or both…simply worth playing on repeat for a while." - JoeJoe S

How Sad, How Lovely

How Sad, How Lovely

Connie Converse

33

Idler Wheel

Idler Wheel

Fiona Apple

32

Songs

Songs

Adrianne Lenker

31

I'm Wide Awake, It's Morning

I'm Wide Awake, It's Morning

Bright Eyes

30

"This album is burned into my DNA. I listened to it so much when I first discovered it. I didn't know which ones were the “hits” until later, and I'm incredibly thankful for that. You know how sometimes on an album, when the hit comes up, it sorta takes you out of it? I'm always bothered by that, and thankfully this album is all one thing in my mind. Perhaps that is the reason why it bit so deeply into my soul." - Eric Stevenson (of Pocket Vinyl)

John Lennon/Plastic Ono Band

John Lennon/Plastic Ono Band

John Lennon/Yoko Ono

29

“My favorite Lennon album changes, but this has “Working Class Hero" which is one of my favorite songs” - Jonathan Root

Judee Sill

Judee Sill

Judee Sill

28

You Don't Mess Around with Jim

You Don't Mess Around with Jim

Jim Croce

27

"I love Jim Croce and everything he does, but this record is such a perfect example of his lyric genius and earworm melodies. " - Abbey Blackwell

Bridge over Troubled Water

Bridge over Troubled Water

Simon and Garfunkel

26

Crying, Laughing, Loving, Lying

Crying, Laughing, Loving, Lying

Labi Siffre

25

Crying, Laughing, Loving, Lying is an intricate mix of singer-songwriter and soul which brings forward the impressively awkward yet comforting quality of Labi Siffre’s voice and words. There’s something about him that simply makes you feel close. That connection along with the simple but effective guitarwork brings the album together in a wonderful way. - WAX

New York Tendaberry

New York Tendaberry

Laura Nyro

24

New York Tendaberry feels less like an album and more like Laura Nyro unraveling in real time. The songwriting constantly shifts between beautiful and overwhelming without warning. Her voice is theatrical in a way that almost shouldn’t work, but it gives the album this impossible emotional intensity that completely consumes everything around it. - WAX

The Freewheelin' Bob Dylan

The Freewheelin' Bob Dylan

Bob Dylan

23

The Freewheelin’ Bob Dylan feels like the moment folk music stopped being preserved and started being weaponized. Dylan sounds young, scrappy, and completely unconcerned with polish. His voice can feel almost confrontational, but the songwriting is undeniable. Even the quieter moments carry this sense that music itself was actively changing around him. If any album can claim to be the start of the singer-songwriter genre, this one is it. - WAX

"My fav Dylan album changes day to day; hard to pick one, but today it’s this one" - Jonathan Root

Townes Van Zandt

Townes Van Zandt

Townes Van Zandt

22

Townes Van Zandt feels like isolation turned into music. There’s country here, but stripped of any grandiosity or charm. He sounds distant from everything around him, and that distance becomes the emotional core of the album. His voice is awkward, fragile, and deeply human in a way that’s hard to replicate. - WAX

When The Pawn...

When The Pawn...

Fiona Apple

21

When the Pawn… feels like Fiona Apple constantly pacing around the room while the album forms around her. The piano is jazzy but tense, like it could fall apart at any second. Fiona herself is the centerpiece though. She sounds bitter, exhausted, seductive, and completely self-aware all at once. It’s messy in a way that feels intentional. - WAX

All Things Must Pass

All Things Must Pass

George Harrison

20

All Things Must Pass feels like George Harrison finally exhaling. For years he was stuck behind Lennon and McCartney, two of the biggest personalities music has ever seen, and then suddenly he drops a triple album overflowing with some of the best songwriting of the era. There’s something deeply spiritual about the album, but not in a preachy way. It feels more like acceptance. Harrison sounds relieved, exhausted, hopeful, and bitter all at once. The production can get overwhelmingly huge at times, that Phil Spector wall of sound almost swallowing the songs whole, but the songwriting is strong enough to survive it. Even at its longest, the album never stops feeling personal. - WAX

Favorite of:
Jonathan Root

Sweet Baby James

Sweet Baby James

James Taylor

19

Sweet Baby James feels like the moment singer-songwriter music stopped trying too hard and simply embraced honesty. James Taylor isn’t a huge personality in the way Dylan or Cohen are, but that’s exactly why this album works. There’s a warmth to it that feels completely natural. The acoustic guitars, soft strings, and relaxed pacing make the whole album feel like late night conversation. Even when the songs get sad, they never become overwhelming. Taylor’s voice has this calm weariness to it that makes “Fire and Rain” hit especially hard. The album can drift into itself at points, but honestly that haze is part of the appeal. It’s comforting music without losing its emotional weight. - WAX

The Stranger

The Stranger

Billy Joel

18

The Stranger feels like the sound of a city staying awake long after midnight. This album is filled with piano ballads, barroom rock songs, and quiet confessions that make New York feel less like a place and more like a state of mind (even if that song isn’t on this album). Billy Joel has a warmth that makes the whole vibe instantly inviting. He writes with a conversational honesty that makes even his biggest hooks feel personal. Every song sounds lively, like stories traded across a dimly lit pool table. It’s a sharp, melodic, and uniquely genuine album about the parts of ourselves we try to keep hidden. - WAX

Nebraska

Nebraska

Bruce Springsteen

17

Nebraska feels like driving through empty highways with nothing but static on the radio and bad thoughts for company. Springsteen strips away his classic heartland rock grandeur and leaves behind bare acoustic guitars, harmonicas, and tape hiss that gives the album a ghostly quality. The songs are filled with killers, drifters, and people crushed under the weight of the American dream, but Springsteen never turns them into caricatures. He writes them with a quiet empathy that makes their lives feel lived. Even the silences on the record feel heavy. It’s a bleak and intimate album that finds terror in the ordinary despairs of life. - WAX

"To be honest, I do not like all of the songs on this album equally but it is definitely an album that I can listen to on repeat when I am in a melancholic mood. The lyrics are razor-sharp, the tunes pulse with melancholy and Springsteen's deliveries are a masterpiece of "less is more". I can just see him and hear him creating these songs while strumming on his guitar." - JoeJoe S

Harvest

Harvest

Neil Young

16

Harvest feels like the countryside fading into the background of a painting. Neil Young strips the polish back, building the album around gentle acoustic guitars, weary melodies, and a voice that sounds cracked by experience. The record sways back and forth between homely warmth and quiet loneliness, capturing the uneasy space between comfort and being alone. Young’s songwriting is simple, but somehow manages to craft lines like a polished countertop with cracks. Even at its softest, there’s a sense that something is falling apart beneath the surface. It’s a humble, aching, and reflective record that turns fragility into one of its greatest strengths. - WAX

Rain Dogs

Rain Dogs

Tom Waits

15

Rain Dogs feels like a city in the middle of the night rotting in style. Tom Waits abandons almost every conventional instinct of the singer-songwriter genre to build a world out of junkyard percussion, broken pianos, and smoky cabaret melodies. The album stumbles through alleyways filled with drifters, thieves, and forgotten romantics, turning urban decay into his own strange mythos. Waits’ voice is impossibly rough, more growled than sung, but it gives the stories an undeniable authenticity. Beneath the bizarre instrumentation and theatrical chaos is a record about isolation and survival. It’s ugly, soulful, and alive in a way few albums ever manage to be. - WAX

Graceland

Graceland

Paul Simon

14

Graceland is the sound of a songwriter revitalizing his craft by looking outward. Paul Simon moves away from the neuroses of New York to find a vibrant, percussive energy in South African mbaqanga music. The album is defined by its rhythmic complexity, where fretless bass lines and accordion flourishes create a shimmering, polyrhythmic backdrop. It’s an unlikely collision of world music and Western pop that never feels forced. Simon’s lyrics are surreal and scattered, capturing the disorientation of middle age and fame. It proves that the genre can be global and expansive without losing the personal intimacy that defines it. - WAX

Just As I Am

Just As I Am

Bill Withers

13

Just as I Am is a masterclass in the power of simplicity. Bill Withers arrived as a fully formed artist, stripping away the usual polish of soul music to find something tactile and human. The production is lean, centered around a steady acoustic guitar and a voice that feels like kitchen-table perfection. He doesn't rely on showing off his vocals, but rather on the truth of his delivery. The songs treat everyday struggles as monumental, because to the people they affect, they are. There’s a direct line to the listener. It proves a great songwriter doesn't need a wall of sound to be heard. - WAX

Highway 61 Revisited

Highway 61 Revisited

Bob Dylan

12

Highway 61 Revisited is the moment the folk tradition was forcibly shoved into the future. Dylan trades his acoustic purity for a wilder rock and roll sound that sways on the edge of chaos. The thinness of the organ and the biting electric guitars create a surrealist backdrop for some of the most dense lyricism ever recorded. It isn't a polite introduction, it’s confrontational. Dylan peppers his songs with a cast of outcasts and historical figures, blurring the lines between reality and a fever dream. It’s an explosive, cynical, and visionary record that redefined what a singer-songwriter was allowed to say and how loud they were allowed to say it. - WAX

Hejira

Hejira

Joni Mitchell

11

Hejira is the sound of motion and the restlessness that comes with it. Joni Mitchell moves away from the piano-driven confessions of her past to embrace a colder swaying jazz-fusion. The fretless bass of Jaco Pastorius slides through the tracks like a car swerving through an empty highway, creating a liquid base for Mitchell’s wandering melodies. It captures the specific loneliness of watching your own life fly by. The lyrics are manuscripts of the soul, traded for the directness of her earlier work. It’s a sophisticated, sprawling exploration of independence and the transient nature of human connection. - WAX

Ys

Ys

Joanna Newsom

10

Ys is an exercise in maximalist storytelling that defies every convention of the genre. Joanna Newsom rejects the standard verse-chorus structure in favor of sprawling, orchestral epics that feel more like folklore than written words. The harp is the steady anchor, but the sweeping arrangements around it create a sense of scale that is almost overwhelming. It ensures a total immersion into its world. The record is defined by its density. The lyrics are a thicket of allegory and complex internal rhyme, delivered in a voice that is as polarizing as it is expressive. It’s an album that rewards the effort of close listening, revealing new layers of narrative and musical detail with every rotation. While many of its peers find power in what they leave out, Ys finds its strength in its abundance. It’s a dense, challenging, and utterly unique masterpiece that expands the boundaries of how saturated a song can be. - WAX

Astral Weeks

Astral Weeks

Van Morrison

9

Astral Weeks is a complete departure from the structure of the genre. Van Morrison moves away from the pop sensibilities of his early career with Them to create something that feels less like a collection of songs and more like a dream. The jazz-inflected instrumentation flows with a loose, improvisational energy, creating a backdrop that is both ethereal and grounding. It’s a rare side of singer-songwriter where atmosphere is the main goal. The power of the record lies in its fluidity though, Morrison’s vocals are ecstatic and raw, often abandoning traditional phrasing to chase a specific feeling. The lyrics capture a sense of longing that is difficult to pin down, existing in the space between the physical world and something spiritual. It’s a singular achievement that proves how far the singer-songwriter framework can be pushed before it breaks apart. - WAX

Tapestry

Tapestry

Carole King

8

Tapestry is the blueprint for the modern singer-songwriter. Carole King stepped out from behind the curtain of professional songwriting to reclaim her own voice, and the result is an album that feels like a warm, lived-in home. The production is sturdy and gives the songs a grounded, tactile quality that many in the genre trade for abstraction. It doesn't rely on the mystery of a persona; it relies on the strength of the melodies. The brilliance of the record is its accessibility. King writes about love, friendship, and transition with a directness that can make these massive pop structures feel like private conversations. There is a soulful grit to her vocals that adds a layer of reality to the perfect arrangements. It remains the gold standard for the pop appeal of the genre, while also keeping the personal weight. - WAX

Favorite of:
Kelly Cresswell
Snows of Yesteryear

Carrie and Lowell

Carrie and Lowell

Sufjan Stevens

7

Carrie & Lowell is a return to the roots of the genre, but it feels more like a haunting than a homecoming. Sufjan Stevens moves away from the maximalism of his past work to sit in a quiet, empty room with his grief. There is no spectacle to hide behind. The production is so thin and fragile that you can hear the air in the room and the mechanical hum of the recorders, which only makes the heavy subject matter feel more suffocating. The lyrics are blunt and avoid the typical metaphors of folk music, instead opting for the cold reality of hospitals and memory. It captures the specific, hollow feeling of losing someone you never truly had. While other albums on this list use instruments to fill space, Stevens uses silence to emphasize what’s gone. It’s a devastatingly lonely record that proves the quietest songs can carry the most weight. - WAX

Favorite of: Rachel Love

Blood on the Tracks

Blood on the Tracks

Bob Dylan

6

Blood on the Tracks is Dylan dropping the mask. After years of hiding behind surrealist folk-hero personas, he turns the lens inward to find a landscape that is completely broken. The songs move with a strange, non-linear fluidity. They shift from the past to the present in a single verse, mimicking the confusing way a person actually remembers a lost love. The beauty of the album is found in its jagged edges. While the acoustic arrangements feel warm, the lyrics are sharp. It’s an honest, bleeding portrait of a marriage disintegrating before our eyes. Dylan explores the space between love and resentment with a level of poetic precision that few others have ever reached. It is a sprawling, messy, and deeply human collection of stories. It shows that the best songs aren't written in calm moments, they are pulled out of the wreckage. - WAX

"Raw lyrics, beautiful melodies, and sympathetic production giving the music and, even more than that, the emotion room to breathe. And ‘Tangled Up in Blue’." - Ian Paul Sharp

"There are so many Dylan albums to choose from but here, he was just killing it! Nearly all of the songs turned out to be classics. My favorite remains "Shelter From The Storm" which is a masterpiece of Dylan's ability to write lyrics which sound simple but are really intricate at the same time. This is how I heard Dylan the first time and I remember that as I understood the lyrics more, the songs changed in their vibe and meaning." - JoeJoe S

Either/Or

Either/Or

Elliott Smith

5

Either/Or feels like isolation turned into music. Elliott Smith doesn’t make sadness feel dramatic, he makes it feel normal. That’s what makes the album hit so hard. The songwriting is incredibly intimate, to the point where it almost feels intrusive listening to it. Despite how stripped back and lo-fi it is, the album still feels full. Smith fills every song with layered melodies that are beautiful enough to almost distract you from how devastating the writing actually is. Either/Or captures the feeling of wanting connection while simultaneously hiding from it, and that contradiction is what gives the album so much weight.

"I picked this album because I had to pick something here, but I think any Elliott Smith album could be listed here. For my money, he is the most consistent singer-songwriter that ever lived. Everyone else on this list has released bad songs in their career, but not Elliott. We lost him way too young, but his career remains spotless. If you are reading this and haven't listened to him, I strongly encourage you to start literally anywhere and you'll find something worth your time." - Eric Stevenson (Of Pocket Vinyl)

Songs of Leonard Cohen

Songs of Leonard Cohen

Leonard Cohen

4

Songs of Leonard Cohen is the pure essence of poetry in motion. The lyrics written on this album rival the words of the greatest poets, because in some ways Leonard Cohen is more of a poet than a musician. While the sound of this album is deserving of praise too, with its peaceful, but reserved atmospheric flourishes, this album is held up by Cohen's lyrics. They reveal the truth about the human condition through masterful imagery, and even greater storytelling. Vocally too, Cohen is raw and simple, but it only brings more attention to the lyrical brilliance of the album. The title of the album is very fitting, for these are simply, Songs of Leonard Cohen. Even if it was his first, he was perfectly conscious of his ability and wasn't holding back.

"I listened to this on cassette for years. It traveled (and the songs still travel) with me over so many years and experiences." - Orange Animal

"I am very late to this man's music. I only discovered him for myself two years ago, and this 1967 album sounds like it could have come out today. It's timeless in it's songwriting, structure, lyrics, even the recording. It has far less of those “this was recorded a long time ago” hallmarks of a lot of pre-2000 musical recordings, and I don't know why. It's truly one of the best albums of the 20th century, regardless of genre." - Eric Stevenson (of Pocket Vinyl)

Grace

Grace

Jeff Buckley

3

Grace tows the line between singer-songwriter and the rest of the music world. It is a demonstration of the diversity that comes with incredible songwriting. While it's far from a stripped back acoustic piece like many of the albums it takes influence from, the portrait of Jeff Buckley still holds through. His emotional resonance, even while being engulfed by an intense alternative rock soundtrack, shines through in massive part due to his songwriting ability. His vocals are also piercing in their beauty. There may be more technically impressive singers but there are very few with more beautiful voices. The album isn't a bastion of tradition, because that's not what it sets out to do. It's not a perfection of what's been done in the past, but a showcase of flexibility. The constant can get repetitive, and this isn't the constant. - WAX

"The music and songwriting flows amazingly, making the whole album dreamy and trippy. His voice is beautiful, raw and lyrical." - Asteroid Lily

Pink Moon

Pink Moon

Nick Drake

2

Pink Moon strips the genre down to its barest form, the sharing of emotion with one another. Our humanity is defined by it, and yet so many of us choose to ignore it. Nick Drake was incredibly depressed while making this album. Although that state of mind is devastatingly morbid, it lets raw emotion come out in a way that it can't otherwise. That raw emotion is only enhanced by the musical choices on this album. While we can look at the wide range of artists working along genre lines Drake confines himself to the simplest form. Voice and guitar fill the sound of a vast majority of this album, despite that barrenness it manages to feel full. That fullness comes from the weight of emotion. Your brain fills in the rest via our innate sense of human empathy. What activates within us while listening to this album is what sets the genre apart, connection. - WAX

Favorite of: Rachel Love

Blue

Blue

Joni Mitchell

1

Blue is more than the greatest singer-songwriter album. It’s the window into what music can be. Joni Mitchell strips everything down to its emotional core, and somehow finds something even deeper within it. The songs are intimate while sounding expansive, poetic but extremely direct, and an honest personal reflection on us all. What makes Blue special is not just how it sounds, but what it does to the listener. On first listen, it earns your respect, but over time, it quietly reshapes how you hear music. It alters your understanding of songwriting, and what you expect from an album. It defines the possibilities that come with a genre so vast it's hard to capture in a simple collection of songs. It's the magnum opus of a storied and incredible career with album after album of perfection. Blue creates a shadow that envelopes the singer-songwriter genre, it's a rainbow of possibilities with a Blue tint. - WAX

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